Only channel subscribers are allowed to write here
Moveable Type
The New York Times Company Debuts "Moveable Type"
Nope, it's not the corporate blogging software we're talking about here, but the new permanent art installation in the lobby of the newspaper's new Renzo Piano-designed headquarters building on Eighth Avenue and 41st Street.
Artist Ben Rubin and UCLA professor/statistician Mark Hansen have created a multi-media installation of 560 small screens, mounted on two walls, which display information culled from the newspaper's archives and live feeds. Information is parsed and displayed by algorithms created by the artists.
The duo's last collaboration as the Listening Post, which debuted at the Whitney in 2002 and has been traveling, most recently at the San Jose Museum of Art.
The new work by Rubin and Hansen is reported in today's New York Times.
Above is the segment that David and I did with the artists. This is one of a series of videos we have been creating for The New York Times Company about the new building.
If you're in the neighborhood, stop by and see "Moveable Type." No ticket needed.
Only channel subscribers are allowed to write here
Matthew Ritchie:
Episode #027: Matthew Ritchie discusses his upcoming exhibition "The Morning Line" (2008) in his New York studio, with animated architectural schematics of the installation. "The Morning Line" will be on view October 2, 2008 - January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain, as part of the 3rd Bienal Internacional de Arte Contemporáneo de Seville.
Matthew Ritchie's artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchie's encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.
Matthew Ritchie is featured in the Season 3 (2005) episode Structures of the Art:21—Art in the Twenty-First Century television series on PBS.
DISCUSS: What do you think about this video? Leave a comment!
Learn more about Matthew Ritchie: http://www.art21.org/artists/matthew-ritchie
VIDEO | Producer: Eve Moros Ortega and Nick Ravich. Camera: Joel Shapiro. Sound: Judy Karp. Editor: Mary Ann Toman. Artwork Courtesy: Matthew Ritchie and Aranda/Lasch. Thanks: Benjamin Aranda.
Episode #027: Matthew Ritchie discusses his upcoming exhibition "The Morning Line" (2008) in his New York studio, with animated architectural schematics of the installation. "The Morning Line" will be on view October 2, 2008 - January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain, as part of the 3rd Bienal Internacional de Arte Contemporáneo de Seville.
Matthew Ritchie's artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchie's encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.
Matthew Ritchie is featured in the Season 3 (2005) episode Structures of the Art:21—Art in the Twenty-First Century television series on PBS.
DISCUSS: What do you think about this video? Leave a comment!
Learn more about Matthew Ritchie: http://www.art21.org/artists/matthew-ritchie
VIDEO | Producer: Eve Moros Ortega and Nick Ravich. Camera: Joel Shapiro. Sound: Judy Karp. Editor: Mary Ann Toman. Artwork Courtesy: Matthew Ritchie and Aranda/Lasch. Thanks: Benjamin Aranda.
Only channel subscribers are allowed to write here
Ben Katchor's comics of bygone New York
http://www.ted.com In this captivating talk from the TED archive, cartoonist Ben Katchor reads from his comic strips. These perceptive, surreal stories find the profound hopes and foibles of history (and modern New York) preserved in objects like light switches and signs.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes. Featured speakers have included Al Gore on climate change, Philippe Starck on design, Jill Bolte Taylor on observing her own stroke, Nicholas Negroponte on One Laptop per Child, Jane Goodall on chimpanzees, and "Lost" producer JJ Abrams on the allure of mystery. TED stands for Technology, Entertainment, Design, and TEDTalks cover these topics as well as science, business, development and the arts. Watch the Top 10 TEDTalks on TED.com, at http://www.ted.com/index.php/talks/top10
Episode #027: Matthew Ritchie discusses his upcoming exhibition "The Morning Line" (2008) in his New York studio, with animated architectural schematics of the installation. "The Morning Line" will be on view October 2, 2008 - January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain, as part of the 3rd Bienal Internacional de Arte Contemporáneo de Seville.
Matthew Ritchie's artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchie's encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.
Matthew Ritchie is featured in the Season 3 (2005) episode Structures of the Art:21—Art in the Twenty-First Century television series on PBS.
DISCUSS: What do you think about this video? Leave a comment!
Learn more about Matthew Ritchie: http://www.art21.org/artists/matthew-ritchie
VIDEO | Producer: Eve Moros Ortega and Nick Ravich. Camera: Joel Shapiro. Sound: Judy Karp. Editor: Mary Ann Toman. Artwork Courtesy: Matthew Ritchie and Aranda/Lasch. Thanks: Benjamin Aranda.